DANIEL McDONALD
born 1971, Los Angeles, CA
Lives and worsk in New York
EDUCATION
1993, BA, Cooper Union, New York, NY
Affiliations: Art Club 2000 (1992-present)
Mended Veil Jewelry (1996-present)
EXHIBITIONS
2010
„Lost Believes“, solo show at BROADWAY 1602, New York
Solo shopw at Isabella Brotolozzi Galerie, Berlin
2009
Daniel McDonald at Fiac with BROADWAY 1602
Daniel McDonald nominated „New Artist of the Year 2009“ by the The Solomon R. Guggenheim Museum
Daniel McDonald at Armory Show with BROADWAY 1602
CELEBRATION group show curated by Isabella Bortolozzi and Karl Holmqvist, Isabella Brotolozzi Galerie, Berlin
2008
Daniel McDonald at Frieze with BROADWAY 1602
BOHEMIAN MONSTERS, BROADWAY 1602, NY
Sack of Bones, Asia Song Society, New York, NY (Curated by Ellen Langan & Blair Taylor)
Sack of Bones, Peres Projects, Los Angeles (Curated by Ellen Langan & Blair Taylor)
Looking Back, The White Columns Annual (Selected by Jay Sanders)
2007
The Crown Jewels, Salon 94 Freemans, New York, NY
Horrorshow, TELIC Arts Exchange, Los Angeles, CA (Curated by Joshua Callaghan)
F.A. Lores, Vilma Gold, London, UK (Curated by Stephan Dillemuth and Nils Norman)
Eliminate, Albert Merola Gallery, Provincetown, MA (Curated by John Waters)
The Happiness of Objects, SculptureCenter, Long Island City, NY (Curated by Sarina Basta)
2006
The Name of This Show Is Not GAY ART NOW, Paul Kasmin Gallery, New York, NY (Curated by Jack Pierson)
Between The Lines, Daniel Reich Gallery at The Chelsea Hotel, New York, NY (Curated by Nick Mauss)
2005
Manhattan!, Santa’s Party House, New York, NY (Curated by Carol Lee)
1999
Dope, An XXX-Mas Show, American Fine Arts, Co., New York, NY (Curated by Colin de Land)
1995
Group Show, American Fine Arts, Co., New York, NY
1992
Proposals For The American Museum of Natural History, Pat Hearn Art Gallery, New York, NY (organized by Mark Dion)
REVIEWS
2006
Smith, Roberta, “The Name of This Show Is Not: Gay Art Now”, Art in Review, The New York Times, July 7, 2006
Cotter, Holland, “Between The Lines”, Art in Review, The New York Times, March 24, 2006
ART CLUB 2000
Formed in 1992 in cooperation with Colin de Land
(Current members include: Will Rollins, Craig Wadlin, Shannon Pultz, Daniel McDonald, Gillian Haratani, Patterson Beckwith)
SOLO EXHIBITONS
2007
Selected Works 1992-1994. Between Bridges, London, Great Britain (Curated by Wolfgang Tillmans)
2000
Art Club 2000 (Retrospective). Museo de Arte Carillo Gil, Mexico City, Mexico (Curated by Magali Ariola)
1999
(A Retrodisrespective). American Fine Arts, Co., NYC
1998
Night of the Living Dead Author. American Fine Arts, Co., NYC
1997
American Fine Arts, Co., NYC
1996
SoHo So Long. American Fine Arts, Co., NYC
1995
L’Arte Dell’Amore. Galleria S.A.L.E.S., Rome, Italy
Working! Gallerie Forde, Geneva, Switzerland
Jackie McAllister. (In cooperation with Jackie McAllister) Transmission Gallery, Glasgow, Scotland
Night in the City. American Fine Arts, Co. NYC
Milanarian. Galerie Facsimilie, Milan, Italy
1994
Kunst Klub2000 Allgirls, Berlin
Clear. American Fine Arts, Co., NYC
1993
Commingle. American Fine Arts, Co., NYC
GROUP EXHIBITIONS
2004
Now and Ten Years Ago. KW-Institute for Contemporary Art, Berlin, Germany (Curated by Josef Strau, Gertrude Berlin and Axel Wieder)
2001
This Is The Modern World. Modern Culture at The Gershwin Hotel, NYC
2000
Fabula: Consumer Media and Contemporary Art. Cranbrook Art
Museum, Bloomfield Hills, Michigan
Collective Art Works. Les Abbatoirs, Toulouse, France
Distinctions. Center for Cuartorial Studies, Bard College, Annandale-on-Hudson, NY, NY Curated by Sophia Hernandez Cong Cuy
Tectonic. La Panaderia, Mexico City, Mexico
Start! Modern Culture at the Gershwin Hotel, NY, NY
1999
May Day. Photographer’s Gallery, London
Collective Consciousness: Video Collaborations from the 70’s to the 90’s. Diverse Works, Houston
1998
Tune In. Lawing Gallery, Houston
1997
Heaven, P.S.1, Queens, NY, curated by Joshua Decter
AC2K Free Snax Let’s Work, Life, NYC
Land Marks, John Weber Gallery, NYC
100 Photographs, American Fine Arts, NYC
1996
A/Drift, Center for Curatorial Studies Museum, Bard College, NY, curated by Josh Decter
Summer Group Show, American Fine Arts, Co., NYC
Global Tekno 2, capcMusee d’art contemporain, Bordeaux; Radio FG, Paris; the American Center; Passage de Retz (touring: Paris, Bordeaux & Marseille)
Strange Days, the agency. contemporary art, London
Departure Lounge, P.S. 1 Clock Tower Building, NYC
Art At Home Ideal Standard Life, Art Dynamics, Tokyo
Art Club 2000, Michael Lavine, Richard Prince Jose Freire, NYC
Variétés le capitou, Frejus, France
21 Days of Darkness. Transmission Gallery, Glasgow, Scotland (Traveling to London)
1995
Dark Memories-- curated by Larry Johnson, Marc Foxx Gallery, Los Angeles
Biennale Internationale D’Arte De Groupe Cargo, Marsaille, France
Cosmos, Centre National D’Art Contemporain, Grenoble, France
Fuoriuso ’95, Pescara, Italy
Campo, Foundazione Sandretto-Rebaudengo, Venice, Italy
Time Festival Ghent, Belgium
Closing In, Institute of Contemporary Art, Philadelphia, PA
Garbage! Thread Waxing Space, NYC
Make Believe, Henry Moore and Gulbenkian Galleries/Royal College of Art, London
B-Movie San Francisco Art Fair
Multiple Exposure: The Group Portrait in Photography. Traveling through 1997
1994
Esprit d’ Amusement. Grazer Kunstverein, Graz (Austria)
Sawtelle. Domestic Setting, Los Angeles
Garbage! Real Art Ways, Hartford, CT
PROJECTS & SYMPOSIUMS
1996
AC2K- NYC Museum Cafe Reviews (in collaboration with...), Unpublished, commisioned by Flash Art
1994
The Asprin Design Conference, Cooper Union for the Advancement of Science and Art, NYC
SELECTED BIBLIOGRAPHY
The New York Times “Night of the Living Dead Author”/Ken Johnson June 12, 1998
Time Out New York /Howard Halle July 3-10 , 1997
The New Yorker “1970” July 14, 1997
New York Post “Must Museum”/Whitney Scott July 19, 1997
Paper Magazine “Gallery Go Round. Artists as Observers and Activists.”/ Victoria Pederson, July 1997
Frieze “Does Not Play Well With Others.”/ Ronald Jones, November, 1996
ARTFORUM International “Top Ten Thurston Moore’s Real Life Rock” / Thuston Moore, November, 1996
BT / Manami Fujimori, November, 1996
The New York Times “Art in Review. Discovering how big things work, and laughing at them.”/ Roberta Smith, August 23, 1996
Time Out New York “O SOHO MIO” / Howard Halle, August 7-14, 1996
The New Yorker “AC2K, Galleries Downtown” August 7, 1996
Sculpture “Art Club 2000 S.A.L.E.S. Gallery” May / June 1996
Flash Art Italian Edition “Art Club 2000 S.A.L.E.S. Roma” / Gianluca Marziani, April/ May 1996
Time Out New York “Artclub 2000, Michael Lavine, Richard Prince Jose Freire, through Apr 27”/ Howard Halle April, 1996
Vogue Italia “art emodello” /Mariuccia Casadio March 1996
Opening “L’ arte dell ‘amore”/ Lucilla Meloni, Winter 95/96
Il Tempo “Arte in Scena” / Gabriele Simongini, Dec. 1995
L’ Opinione “Cultura tubocatodica di piu brame, sei ono la piu brutta del reame” / Gianluca Marziani, Nov. 1995
L’Uomo Vogue “Figli della generazione post sessantottina, attori non protagonisti nell’arte e nella moda.”/Mariuccia Casadio June 1995
Hanatsubaki “What is Art Today?”/ April 1995
Flash Art Italian Edition “Art Club 2000 Fac Simile”/ Ivo Bonacorsi, April 1995
Art Monthly “Garbage”/ Jeffrey Kastner, April 1995
la Republica “Sette artisti in posa in cerca d’identita”/ Cloe Piccoli March 1995
The European “Trashy Art of American Satire”/Julie Besonen January 1995
Frieze “Blood and Guts After High School” / Interview by Collier Schorr November- December 1994
Flash Art Italian Edition “L’Arte Dietro L’Angolo Del 2000”/Giancarlo Politi & Francesco Bonami October 1994
Flash Art “Stupidity as Destiny”/Joshua Decter October 1994
British Vogue “The World according to GAP”/ October 1994
Coagula “Gender-X”/ Sept.1994
British Elle “Welcome to the Nineties”/Jonathan Freedland Sept. 1994
Paper “Generation Gap: Art Club2000’s Collaborative Critiques”/Julie Besonen September 1994
Villiage Voice “Voice Choices”(review)/Kim Levin August 9 1994
The Face “Apathy in the USA”/Lucie Young July 1994
Might “Trashing the Art Scene: Art Club2000”/Michelle Simons July 1994
Flash Art “Global Art: Art Club2000”/Hugh Gallagher March/April 1994
Artforum “Into the Gap: Art Club2000”/Glenn O’Brien February 1994
Blocnotes Art Contemporain “Commingle”/Sarah Rossiter Fall 1993
Grand Royal “Filling in the Gaps”/ Fall 1993
Art in America “Censorship File”/Walter Robinson September 1993
Villiage Voice “Art in Brief” (review)/Kim Levin July 13 1993
